Archive for July, 2005

2 years of blogging

I just noticed that this past week marks two years since I started this weblog.

I’ve posted 463 entries, which averages out to more than four posts a week, and the site is getting somewhere around 500 visits a day.

While that certainly doesn’t rank up with the most popular blogs, it’s nice to have a place to share thoughts, and it’s really great that people are interested enough to take the time to read them (and occasionally share comments).

I only wish I had the time to write more – there’s certainly no shortage of interesting topics to ponder!

UW’s Dell / Napster deal – finances and terms released

The UW Daily obtained the details of the University’s deal with Dell and Napster to offer Napster services for the students in the residence halls this fall.

The article by Kayla Webley is here.

The Chronicle of Higher Education’s Wired Campus Blog has this to say:

How much does a college have to pay to give its students an academic year’s worth of legal music downloads? Not quite as much as you might think.

As part of a deal announced earlier this month, the University of Washington at Seattle will fork over $24,000 to Napster, the online music service, to provide students living on campus with eight-month subscriptions. The money will come from royalties generated by the university’s own technology licenses. The price tag isn’t cheap, but it’s not terrible for a university with almost 6,000 residential students: According to most estimates, colleges can expect to pay $2 or $3 a month for each student who signs up.

Ashlee Vance in The Register, on the other hand, is outraged, in a story headlined “University bans iPod adverts”:

But here’s the real rub.

“Under the provisions the University must exclusively promote the Dell branded DJ, secure two Dell kiosks on campus to feature Dell products and services, facilitate a Dell launch event in the back-to-school timeframe, host Dell information on the UW website, execute an email campaign and participate in a case study,” The Daily reported.

So students have been put on a music meat market where they’re being force fed a service that doesn’t work with Mac OS X, Linux or even older versions of Windows and that doesn’t work with the leading MP3 player. Instead, the kids will have to listen to a sales pitch for Dell’s embarrassing device and nothing else.

Not that Ashlee ever actually checked with the University to see what really is going on here – he prefers to get all his information second hand.

And not that he’s got an opinion to grind here – but you might want to check his other stories:

http://www.theregister.co.uk/2005/07/21/dell_land_nc/

http://www.theregister.co.uk/2005/07/12/dell_nc_photos/

http://www.theregister.co.uk/2005/07/06/dell_napster_college/

http://www.theregister.co.uk/2004/09/02/cornell_apple_shame/

http://www.theregister.co.uk/2004/05/12/ou_napster_tax/

http://www.theregister.co.uk/2004/09/08/apple_napster_letters/

http://www.theregister.co.uk/2005/07/09/napster_rochester_survey/

Just for the record, Ashlee – the exclusive promotion on the Dell DJ is within the Napster / Dell deal.

As we’ve told every one of the dozens of reporters who’ve called us about this story (As far as I know Ashlee has not called), we have been talking to Apple about possible ways we might leverage the iTunes Music Store for our campus population. If Apple comes up with a program that makes it possible for us to offer iTunes music to our students at any affordable pricing, we’ll be very happy to participate. So far Apple don’t seem to be very interested in the university market (perhaps the advantage of being the market leader by a long shot).

As everyone probably knows, I’m certainly not a fan of copy-protected music that only runs on one operating system or one type of portable player. I know from talking to them that the folks at Napster would be very happy to make their content available on iPods, if Apple was willing to offer them the copy-protection that they use (and that the record labels require). I also assume that Dell would likewise be happy to put iTunes Music Store content on their DJ players, if Apple would make that possible.

I’m just as sick and tired as the next guy of online music being locked up in such a way that makes the only good choice to go buy CDs and rip them myself (though even CD’s are being copy protected now). But I think Apple’s just as guilty as Napster and the others.

And at least Napster is interested in our business.

UW’s Dell / Napster deal – finances and terms released

The UW Daily obtained the details of the University’s deal with Dell and Napster to offer Napster services for the students in the residence halls this fall.

The article by Kayla Webley is here.

The Chronicle of Higher Education’s Wired Campus Blog has this to say:

How much does a college have to pay to give its students an academic year’s worth of legal music downloads? Not quite as much as you might think.

As part of a deal announced earlier this month, the University of Washington at Seattle will fork over $24,000 to Napster, the online music service, to provide students living on campus with eight-month subscriptions. The money will come from royalties generated by the university’s own technology licenses. The price tag isn’t cheap, but it’s not terrible for a university with almost 6,000 residential students: According to most estimates, colleges can expect to pay $2 or $3 a month for each student who signs up.

Ashlee Vance in The Register, on the other hand, is outraged, in a story headlined “University bans iPod adverts”:

But here’s the real rub.

“Under the provisions the University must exclusively promote the Dell branded DJ, secure two Dell kiosks on campus to feature Dell products and services, facilitate a Dell launch event in the back-to-school timeframe, host Dell information on the UW website, execute an email campaign and participate in a case study,” The Daily reported.

So students have been put on a music meat market where they’re being force fed a service that doesn’t work with Mac OS X, Linux or even older versions of Windows and that doesn’t work with the leading MP3 player. Instead, the kids will have to listen to a sales pitch for Dell’s embarrassing device and nothing else.

Not that Ashlee ever actually checked with the University to see what really is going on here – he prefers to get all his information second hand.

And not that he’s got an opinion to grind here – but you might want to check his other stories:

http://www.theregister.co.uk/2005/07/21/dell_land_nc/

http://www.theregister.co.uk/2005/07/12/dell_nc_photos/

http://www.theregister.co.uk/2005/07/06/dell_napster_college/

http://www.theregister.co.uk/2004/09/02/cornell_apple_shame/

http://www.theregister.co.uk/2004/05/12/ou_napster_tax/

http://www.theregister.co.uk/2004/09/08/apple_napster_letters/

http://www.theregister.co.uk/2005/07/09/napster_rochester_survey/

Just for the record, Ashlee – the exclusive promotion on the Dell DJ is within the Napster / Dell deal.

As we’ve told every one of the dozens of reporters who’ve called us about this story (As far as I know Ashlee has not called), we have been talking to Apple about possible ways we might leverage the iTunes Music Store for our campus population. If Apple comes up with a program that makes it possible for us to offer iTunes music to our students at any affordable pricing, we’ll be very happy to participate. So far Apple don’t seem to be very interested in the university market (perhaps the advantage of being the market leader by a long shot).

As everyone probably knows, I’m certainly not a fan of copy-protected music that only runs on one operating system or one type of portable player. I know from talking to them that the folks at Napster would be very happy to make their content available on iPods, if Apple was willing to offer them the copy-protection that they use (and that the record labels require). I also assume that Dell would likewise be happy to put iTunes Music Store content on their DJ players, if Apple would make that possible.

I’m just as sick and tired as the next guy of online music being locked up in such a way that makes the only good choice to go buy CDs and rip them myself (though even CD’s are being copy protected now). But I think Apple’s just as guilty as Napster and the others.

And at least Napster is interested in our business.

NINJAM looks very cool

What is NINJAM?

NINJAM is a program to allow people to make real music together via the Internet. Every participant can hear every other participant. Each user can also tweak their personal mix to his or her liking. NINJAM is cross-platform, with clients available for Mac OS X and Windows.

NINJAM uses compressed audio which allows it to work with any instrument or combination of instruments. You can sing, play a real piano, play a real saxophone, play a real guitar with whatever effects and guitar amplifier you want, anything. If your computer can record it, then you can jam with it (as opposed to MIDI-only systems that automatically preclude any kind of natural audio collaboration).

I can’t wait to try it out!

Syllabus Executive Forum

Despite the presence of some of my favorite folks in higher-ed IT leadership (Vijay Kumar, MIT’s Phil Long, Ruth Sabean, Kathy Christoph, etc) the day-long Syllabus Executive Forum didn’t seem terribly enlightening to me.

If I hear one more IT person say that faculty rewards and promotion systems should change to recognize use of technology in teaching I think I’ll scream.

Phil did make one point that resonated with me about how our in trying to perfect the services that organizations offer we can do all the right things in listening to clients, managing processes, and measuring quality, and totally miss the next big development that will cause disruptive change.

He pointed out “The Innovator’s Dilemma” by Harvard prof Clayton M. Christensen which I picked up yesterday.

In LA for Syllabus Executive Summit

I’m in LA (Hollywood, to be precise) for the Syllabus 2005 Excecutive Summit tomorrow (Sunday), at the Hollywood Renaissance Hotel.

The last time I was in Hollywood was when we lived close to here in the early ’80s. In true LA fashion, despite being in the middle of the city, this conference is in a huge hotel which is attached to a theme mall (HOLLYWOOD AND VINE) so you never actually have to go out on the street.

I’m sad to say that given how burned out I am at the moment, that suits me just fine – having a drink and watching baseball highlights in the hotel room is just my speed this evening.

Syllabus is a big higher education computing trade show that I’ve never been to before. Topics for the Executive summit include serving student populations, aligning IT with institutional goals, and information security as a strategic issue.

Unfortunately, I won’t see any of the rest of the conference as I fly back to Seattle tomorrow night.

I’ll try to blog as possible during the day tomorrow.

KEXP begins podcasting

KEXP, Seattle’s wonderful independent non-commercial popular music station has begun KEXP.

The first two podcasts are a roundup of some local Northwest US music from KEXP DJ John Richards and a live, in-studio appearance by Seattle hip-hop group Boom Bap Project.

They’re both available by searching “kexp” in the podcasting section of iTunes or from the KEXP podcasting page.

Congrats to Tom Mara, Kevin Cole, and the whole KEXP crew. While the technology behind podcasting is simple, securing the rights to share music with audiences this way is anything but.

Kenmore concert series

A bunch of family and friends went out last night to St. Edwards State Park in Kenmore to hear Issa Bagayogo play at the Kenmore Summer Concert Series. Issa, a Malian kora player who uses techno elements in his music, and his band were great, and it was a lovely summer evening to be outside in beautiful surroundings with folks.

Issa will be playing live in the KEXP radio studio today at noon Pacific (90.3 FM in Seattle).

There are still two more concerts in this free series, Thursdays from 6:30 – 8:00 pm. Next week (28 July) is Fiamma Fumana, a group from the Emillian region of Northern Italy that mixes regional folk music with pop and techno elements. We heard them at the Vancouver Folk Fest last year and liked them a lot.

The following week is Janiva Magness (4 August), a young blues artist I don’t know anything about, but hey – it’s free, it’s outside, and it’s close by – what more could you ask for?

Vancouver Folk Festival Report

Finally getting around to reporting on last weekend’s Vancouver Folk Festival. Despite having to deal with years of accumulated budget problems Dugg Simpson and his crew put together another stellar lineup.

The surprise hit of the weekend for me was the Jaipur Kawa Brass Band from Rajahstan, India – imagine a 10 piece brass band with snare and bass drummers playing wild Indian music – to my admittedly Western ears it sounded like Ornette Coleman meeting Zakir Hussein. Great extroverted party music! There’s a music sample online here.

The Grande Mothers, featuring former Frank Zappa cohorts Roy Estrada, Don Preston, and Napoleon Murphy Brock turned in a sparkling and rocking set of Zappa tunes on Saturday afternoon, including Montana, Trouble Every Day, and a good part of One Size Fits All. I was completely blown away by the way they negotiated the twists and turns of Zappa’s compositions while remaining relaxed and rocking. Drummer Chris Garcia was particularly impressive. I was sorry we had to leave before their Sunday afternoon show.

Le Vent du Nord, a fine rollicking group of young Quebecois traditionalists were all over the festival winning people over with great playing (including a hurdy-gurdy!). They hosted a wonderful Sunday afternoon workshop with Michael Jerome Brown and the Twin Rivers String Band and Irish singer Karan Casey.

Other highlights included the Danish fiddle/guitar duo Haugaard & Hoirup (traditional Danish music filtered through a Django Reinhardt influence); good performances by Vancouver chanteuse Veda Hille, including her group Duplex where she gets young kids to write songs about things that matter to them (like how they hate salad); spirited young Australian women in FRUiT (who I thought played and sang great, but could have better songwriting); the return for the second year of the Wailin Jennys (my son Mo’s favorite); and Texas songwriter Eliza Gilkyson. Whew!

There was lots more there that I didn’t get to see enough of, and I look forward as always to next year.

When we got home I got out all of the CDs I’ve bought over the last twelve years of artists I’ve discovered at the Festival and loaded them all into iTunes – 27 hours of wonderful music that I wouldn’t have heard otherwise. I’ll publish the list somewhere soon.

Chris Anderson – Great filters become brands

Monday morning – back from the Vancouver Folk Fest (I’ll blog about that tonight).

I’m catching up on some reading while listening to last Friday night’s archived KEXP radio show from DJ Michele Myers.

I’m spending some time reading the latests posts Chris Anderson’s Long Tail blog – Chris really hits the nail on the head in his post titled Brands – Think People, Not Products.

Chris says:

So, in a Long Tail market, the brands that matter most are the tastemakers. These are the filters you trust, who point you to the niche (or mainstream) stuff you wouldn’t have found on your own. And because you trust them, you’re willing to follow their recommendations, voyaging down the tail with confidence. In the Long Tail, great filters become brands.

Rings true to me – why am I listening to Michele’s show? Because I trust her as a filter to point me to music I will like – and that’s the value of having an outlet like KEXP, where her high-quality personal taste can come through so clearly. That’s very different from most radio or other mainstream media, where the choice of what goods are exposed is very tightly controlled – what Chris would call a classic Short Tail model.

I call the people who act as these kinds of filters “curators” – they can pick through a huge amount of stuff and decide which items are the most relevant to show to illustrate various points about the art – just like those folks who build up museum shows. And the web allows these curators to add additional value by adding additional comment, and it allows us audience members to further enrich the content and turn it into a conversation. Now that’s cool!


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